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Saving private ryan2/21/2023 A soldier staggers crazily, clutching his completely severed arm. Bodies sink beneath the surface and in dreadful silence the camera follows their descent to the bottom. The director is determined to deny viewers the shelter of any aesthetic distance between screen and seats we receive almost no introduction to story or characters and are denied any context that might mitigate the immediacy of the violence. It attains realism, and delivers it with a force, of an unparalleled order. With the 3-1/4-hour film composed of two frailly-connected parts, it is the first - a 25-minute segment capturing an American Ranger company's anguished attempt to gain Omaha Beach on Jthat reaches to the pinnacle of Spielberg's achievement. In the lengthy record of artists' attempts to depict combat, Steven Spielberg's Saving Private Ryan merits a place of special respect. Professor of History at the University of MichiganĪuthor of The World Within War: America's Combat Experience in World War II (The Free Press, 1997) Spielberg Portrays World War II With Brilliance and Dignity
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